Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 143
... Tucker's ( and perhaps more directly linked , Morris ' ) definition ends , in the consideration of an idea of sculpture , and a critical approach which attempts to provide a broader context and interpretative framework for object and ...
... Tucker's ( and perhaps more directly linked , Morris ' ) definition ends , in the consideration of an idea of sculpture , and a critical approach which attempts to provide a broader context and interpretative framework for object and ...
Page 150
... Tucker might put it , to do with what may be real , not in material terms , but in relation to their identity as authentic objects that they were ' made ' rather than actual is the issue . As a consequence , I paid a good deal more ...
... Tucker might put it , to do with what may be real , not in material terms , but in relation to their identity as authentic objects that they were ' made ' rather than actual is the issue . As a consequence , I paid a good deal more ...
Page 156
... Tucker , W. 1975 ' The Condition of Sculpture ' in Ryan , M. ( ed . ) 1993 Gravity and Grace : The Changing Condition of Sculpture 1965-1975 . London : South Bank Centre . Tucker , W. 1977 The Language of Sculpture . London : Thames and ...
... Tucker , W. 1975 ' The Condition of Sculpture ' in Ryan , M. ( ed . ) 1993 Gravity and Grace : The Changing Condition of Sculpture 1965-1975 . London : South Bank Centre . Tucker , W. 1977 The Language of Sculpture . London : Thames and ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi