Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 61
... Roman Empire ; but that fact does not stop us immersing ourselves in the varied works of George Elliot or Anthony Trollope or the excitingly liberated artistic milieu of the pre - Raphaelite painters as though these men and women were ...
... Roman Empire ; but that fact does not stop us immersing ourselves in the varied works of George Elliot or Anthony Trollope or the excitingly liberated artistic milieu of the pre - Raphaelite painters as though these men and women were ...
Page 79
... Roman art was attractive to me , it quickly developed into an explanation of why I find images produced so long ago relevant and important . I am grateful to all those who have so much enriched my spiritual understanding in recent years ...
... Roman art was attractive to me , it quickly developed into an explanation of why I find images produced so long ago relevant and important . I am grateful to all those who have so much enriched my spiritual understanding in recent years ...
Page 80
... Roman Britain . London . Henig , M. 2001 ' The Unchanging Face of God ' , in Finn and Henig 2001 , 29-39 . Henig , M. 2002 The Heirs of King Verica . Stroud . Henig , M. and Booth , P. 2000 Roman Oxfordshire . Stroud . Henig , M. and ...
... Roman Britain . London . Henig , M. 2001 ' The Unchanging Face of God ' , in Finn and Henig 2001 , 29-39 . Henig , M. 2002 The Heirs of King Verica . Stroud . Henig , M. and Booth , P. 2000 Roman Oxfordshire . Stroud . Henig , M. and ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi