Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 97
... London : Council for the Preservation of Rural England . Evans , M. Early Winter 1937 ' Paul Nash , 1937 , ' Axis 8,1937,12 . Festing , S. , 1995 Barabra Hepworth – A Life of Forms . London : Viking . Hutton , R. , 1997 ' The Neolithic ...
... London : Council for the Preservation of Rural England . Evans , M. Early Winter 1937 ' Paul Nash , 1937 , ' Axis 8,1937,12 . Festing , S. , 1995 Barabra Hepworth – A Life of Forms . London : Viking . Hutton , R. , 1997 ' The Neolithic ...
Page 138
... London : Faber and Faber . Heaney , S. 1975 ' Punishment ' in Heaney , S. 1975 North . London : Faber and Faber . Heaney , S. 1998 Pers . comm , Dublin . Renfrew , A. C. 2003 Figuring it Out : What are we ? Where do we come from ? The ...
... London : Faber and Faber . Heaney , S. 1975 ' Punishment ' in Heaney , S. 1975 North . London : Faber and Faber . Heaney , S. 1998 Pers . comm , Dublin . Renfrew , A. C. 2003 Figuring it Out : What are we ? Where do we come from ? The ...
Page 156
... London : Routledge , 148 . Tucker , W. 1975 ' The Condition of Sculpture ' in Ryan , M. ( ed . ) 1993 Gravity and Grace : The Changing Condition of Sculpture 1965-1975 . London : South Bank Centre . Tucker , W. 1977 The Language of ...
... London : Routledge , 148 . Tucker , W. 1975 ' The Condition of Sculpture ' in Ryan , M. ( ed . ) 1993 Gravity and Grace : The Changing Condition of Sculpture 1965-1975 . London : South Bank Centre . Tucker , W. 1977 The Language of ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometry Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations relationship religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi