Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 28
... Italy were openly searched for geometric riddles and valued for the complexity of problem - solving they showed , and that artists in Italian Renaissance culture were also respected mathematicians , yet we lack analyses that take this ...
... Italy were openly searched for geometric riddles and valued for the complexity of problem - solving they showed , and that artists in Italian Renaissance culture were also respected mathematicians , yet we lack analyses that take this ...
Page 43
... Italy . Harmondsworth : Penguin . Bill , M. 1949 ( reprinted 1995 ) " The Mathematical Way of Thinking in the Visual Arts of our Time " in Emmer , M. ( ed . ) 1995 The Visual Mind , MIT Press . Bloch , M. ( 1991 ) " Language ...
... Italy . Harmondsworth : Penguin . Bill , M. 1949 ( reprinted 1995 ) " The Mathematical Way of Thinking in the Visual Arts of our Time " in Emmer , M. ( ed . ) 1995 The Visual Mind , MIT Press . Bloch , M. ( 1991 ) " Language ...
Page 74
... Italy and also on similar amulets from Crete runs something like : ' I am the son of earth and of the starry heavens ! Give me to drink that I may live ! ' ( Harrison 1903 : 660-2 ) . Here is a prayer that joins eloquently with the ...
... Italy and also on similar amulets from Crete runs something like : ' I am the son of earth and of the starry heavens ! Give me to drink that I may live ! ' ( Harrison 1903 : 660-2 ) . Here is a prayer that joins eloquently with the ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi