Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 43
... Cambridge : Cambridge University Press . Brisson , D. ( ed . ) 1978 Hypergraphics : Visualizing Complex relationships in Art , Science and Technology . Boulder Co : Westview Press . Butterworth , B. 1999 The Mathematical Brain . London ...
... Cambridge : Cambridge University Press . Brisson , D. ( ed . ) 1978 Hypergraphics : Visualizing Complex relationships in Art , Science and Technology . Boulder Co : Westview Press . Butterworth , B. 1999 The Mathematical Brain . London ...
Page 46
Sperber , D.1977 Rethinking Symbolism . Cambridge : Cambridge University Press . Stafford , B. 1991 Body Criticism : Imaging the Unseen in Enlightenment Art and Medicine . Cambridge Mass . MIT Press . Stafford , B. M. ( 1996 ) , Good ...
Sperber , D.1977 Rethinking Symbolism . Cambridge : Cambridge University Press . Stafford , B. 1991 Body Criticism : Imaging the Unseen in Enlightenment Art and Medicine . Cambridge Mass . MIT Press . Stafford , B. M. ( 1996 ) , Good ...
Page 80
... Cambridge . Cambridge : CUP . Perring , D. 2003 " Gnosticism " in fourth - century Britain : the Frampton mosaics reconsidered ' , Britannia 34 : 97-127 . Pevsner , N. 1956 The Englishness of English Art . London . Rizzardi , C. 1996 ...
... Cambridge . Cambridge : CUP . Perring , D. 2003 " Gnosticism " in fourth - century Britain : the Frampton mosaics reconsidered ' , Britannia 34 : 97-127 . Pevsner , N. 1956 The Englishness of English Art . London . Rizzardi , C. 1996 ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi