Archaeological Review from Cambridge, Volume 19, Issue 1Department of Archaeology, 2004 - Archaeology |
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Page 84
... British antiquity helped to disseminate archaeological research to a wider audience for the next forty years . Sumner's association with the Arts and Crafts movement , at the turn of the twentieth century , and Sorrell's with neo ...
... British antiquity helped to disseminate archaeological research to a wider audience for the next forty years . Sumner's association with the Arts and Crafts movement , at the turn of the twentieth century , and Sorrell's with neo ...
Page 91
... British antiquity and relied on his friends Ruth Clark and Clare Neilson to find him archaeological or anthropological books . He owned copies of William Stukeley Stonehenge : A Temple Restor'd to the British Druids ( 1740 ) , William ...
... British antiquity and relied on his friends Ruth Clark and Clare Neilson to find him archaeological or anthropological books . He owned copies of William Stukeley Stonehenge : A Temple Restor'd to the British Druids ( 1740 ) , William ...
Page 114
... British modernists before him - Henry Moore , Barbara Hepworth , Paul Nash , Ben Nicholson , John Piper - Richard Long has engaged directly with prehistoric landscapes . To a greater extent though , Long , more than any other British ...
... British modernists before him - Henry Moore , Barbara Hepworth , Paul Nash , Ben Nicholson , John Piper - Richard Long has engaged directly with prehistoric landscapes . To a greater extent though , Long , more than any other British ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Prehistory and the Sculpture of Richard Long | 114 |
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Aboriginal abstract aesthetic objects aesthetic properties ancestral ancient Antiquity archaeological context Archaeological Review architectural Arnhem Land art and archaeology artefacts artist artworks Ascher Avebury bog body Britain British Cambridge 19.1 century circle clan cognitive Colin Renfrew contemporary conventional Cornelia Parker designs display engagement environment example existential space exploration face Figure Gallery geometric Henig human identify illustrative representation images interest interpretation John Piper Keiller khipu knots knowledge Krauss landscape London Long Wittenham Long's art Massingham material means Megaliths modern monuments Morphy mosaic Museum Nash's nature Neanderthal non-aesthetic Norberg-Schulz Oxford University Press Paul Nash perspective Piggott Piper practice prehistoric radical archaeological context radical archaeology recognise relations religious Renfrew represented response Review from Cambridge Richard Long ritual objects rock-art Roman sacred sculpture semantic representation social spatial stone Stonehenge structures suggests surface thinking Tilda Tilda Swinton Tucker understanding viewer visual visualisation walking waŋarr Yirrkala Yolŋu Yothu Yindi