Archaeological Review from Cambridge, Volume 19, Issue 1

aesthetic experience aesthetic objects ancient Antiquity appear approach archaeology architectural artefacts artist association Avebury body bog body British Cambridge century circle clan communication concerns consider contemporary context conventional culture described designs determine discussion display early effect engagement environment example existence existential exploration expressions face field Figure function geometry given head human idea identify illustrative images important interest interpretation involved Italy knots knowledge known land landscape living London Long Long's look Mark material mathematics means Museum Nash nature original Oxford paintings particular past perspective Piper possible practice prehistoric present produced properties question reference relations relationship representation represented response ritual Roman sacred sculpture seen sense significant social space stone Stonehenge structures suggests surface theory things thinking thought understanding University Press visual walking Yolŋu