An Approach to LiteratureAn Approach to Literature provides a very liberal selection of fiction, poetry and drama, and it is scarecely to be expected that the book will be regularly used from cover to cover. What we have tried to do, now more positively than ever, is to give teachers room to maneuver, a range of choices out of which they can tailor a course to their special needs and to the tastes and capacities of their students. |
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Page 6
... relation to one another . * To understand what is meant by such a significantly develop- ing relation we must consider the logical stages of an action as ordinarily described : the Beginning , the Middle , and the End . The key fact of ...
... relation to one another . * To understand what is meant by such a significantly develop- ing relation we must consider the logical stages of an action as ordinarily described : the Beginning , the Middle , and the End . The key fact of ...
Page 520
... relation to the frame of the meter is one of the rhythmic resources of verse . This inter- action does , of course , involve the relation of words of more than one syllable to the feet in a line ; the basic question here is whether ...
... relation to the frame of the meter is one of the rhythmic resources of verse . This inter- action does , of course , involve the relation of words of more than one syllable to the feet in a line ; the basic question here is whether ...
Page 521
... relation to the metrical structure is sig- nificant . Explain your choices . which necessarily introduce their own move- ment , modifies the rhythm of a line ; and fur- ther that phrasal units , even when composed on monosyllables ...
... relation to the metrical structure is sig- nificant . Explain your choices . which necessarily introduce their own move- ment , modifies the rhythm of a line ; and fur- ther that phrasal units , even when composed on monosyllables ...
Contents
Introduction | 1 |
William Carlos Williams | 11 |
Fictional Point | 17 |
Copyright | |
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Common terms and phrases
A. E. Housman accents anapest Anson ANTISTROPHE ANTONY asked Aunt Julia BRACK Caesar CHARMIAN CHORAGOS CLEOPATRA CREON Danny Deever dark dear death door Eilert ELVSTED ENOBARBUS EXERCISES eyes face fact father feel fiction girl give hair hand head hear heard heart HEDDA Helton HIGGINS horse iambic pentameter IOCASTE kind knew La Lupa lady laugh light live looked LÖVBORG Mark Antony meaning meter metrical mind MISS TESMAN mother never night OEDIPUS PEARCE Pepé play poem poet poetry POMPEY rhythm rime Rodney Salzman scene seemed sense Sir Patrick Spens sleep smile stanza stood story talk TEIRESIAS tell thee theme thing Thompson thou thought tion told tone trees turned verse voice walked wife woman word young