An Approach to LiteratureAn Approach to Literature provides a very liberal selection of fiction, poetry and drama, and it is scarecely to be expected that the book will be regularly used from cover to cover. What we have tried to do, now more positively than ever, is to give teachers room to maneuver, a range of choices out of which they can tailor a course to their special needs and to the tastes and capacities of their students. |
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Page 649
... ELVSTED . Yes , to write the letter- HEDDA . And that I might speak to you alone . MRS . ELVSTED ( confused ) . About the same thing ? HEDDA . Precisely . MRS . ELVSTED ( apprehensively ) . But there is nothing more , Mrs. Tesman ...
... ELVSTED . Yes , to write the letter- HEDDA . And that I might speak to you alone . MRS . ELVSTED ( confused ) . About the same thing ? HEDDA . Precisely . MRS . ELVSTED ( apprehensively ) . But there is nothing more , Mrs. Tesman ...
Page 652
... ELVSTED . Yes ! He never wrote anything without my assistance . HEDDA . You were two good comrades , in fact ? MRS . ELVSTED ( eagerly ) . Comrades ! Yes , fancy , Hedda - that is the very word he used ! -Oh , I ought to feel perfectly ...
... ELVSTED . Yes ! He never wrote anything without my assistance . HEDDA . You were two good comrades , in fact ? MRS . ELVSTED ( eagerly ) . Comrades ! Yes , fancy , Hedda - that is the very word he used ! -Oh , I ought to feel perfectly ...
Page 683
... ELVSTED , dressed as in the first act , with hat and cloak , enters by the hall door ) MRS . ELVSTED ( greets them hurriedly , and says in evident agitation ) . Oh , dear Hedda , forgive my coming again . HEDDA . What is the matter with ...
... ELVSTED , dressed as in the first act , with hat and cloak , enters by the hall door ) MRS . ELVSTED ( greets them hurriedly , and says in evident agitation ) . Oh , dear Hedda , forgive my coming again . HEDDA . What is the matter with ...
Contents
Introduction | 1 |
William Carlos Williams | 11 |
Fictional Point | 17 |
Copyright | |
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A. E. Housman accents anapest Anson ANTISTROPHE ANTONY asked Aunt Julia BRACK Caesar CHARMIAN CHORAGOS CLEOPATRA CREON Danny Deever dark dear death door Eilert ELVSTED ENOBARBUS EXERCISES eyes face fact father feel fiction girl give hair hand head hear heard heart HEDDA Helton HIGGINS horse iambic pentameter IOCASTE kind knew La Lupa lady laugh light live looked LÖVBORG Mark Antony meaning meter metrical mind MISS TESMAN mother never night OEDIPUS PEARCE Pepé play poem poet poetry POMPEY rhythm rime Rodney Salzman scene seemed sense Sir Patrick Spens sleep smile stanza stood story talk TEIRESIAS tell thee theme thing Thompson thou thought tion told tone trees turned verse voice walked wife woman word young