Journal of the Kafka Society of America, Volumes 24-25The Society, 2003 |
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Page 73
... body parts . The viewer knows , of course , that all these parts together constitute the body of the protagonist , but they are presented in such a manner that this understanding almost seems irrelevant . Discussing realism in art and ...
... body parts . The viewer knows , of course , that all these parts together constitute the body of the protagonist , but they are presented in such a manner that this understanding almost seems irrelevant . Discussing realism in art and ...
Page 20
... body and the loss of the name , erasing even the trace of Gregor's ineluctable identity , may be conceived , as in so many of Kafka's works , as a kind of comic apotheosis , or " apophasis . " As Derrida notes in his essay on naming ...
... body and the loss of the name , erasing even the trace of Gregor's ineluctable identity , may be conceived , as in so many of Kafka's works , as a kind of comic apotheosis , or " apophasis . " As Derrida notes in his essay on naming ...
Page 52
... body . The attitude of the body toward the exterior was defective . Kafka suffered from an infection . He contracted a disease from outside . He had opened himself too much . Too much otherness had entered . During their second visit to ...
... body . The attitude of the body toward the exterior was defective . Kafka suffered from an infection . He contracted a disease from outside . He had opened himself too much . Too much otherness had entered . During their second visit to ...
Contents
TABLE OF CONTENTS | 11 |
Kafka geht ins Comic Il Processo di Franz | 18 |
To Be or to Perish The Irresolvable Conflict | 32 |
Copyright | |
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