Ellen Terry is an enigma. Her eyes are pale, her nose rather long, her mouth nothing particular, complexion a delicate brick-dust, her hair rather like tow. Yet, somehow, she is beautiful. Her expression kills any pretty face you see beside her. Her figure... The Romance of the American Theatre - Page 301by Mary Caroline Crawford - 1925 - 508 pagesFull view - About this book
| Dramatists, English - 1887 - 424 pages
...Coghlan being considered somewhat slow and monotonous. particular. Complexion a delicate brick-dust, her hair rather like tow. Yet somehow she is beautiful....Whether in movement or repose, grace pervades the hussy. In character impulsive, intelligent, weak, hysterical — in short all that is abominable and charming... | |
| Appleton Morgan, Charlotte Endymion Porter - 1887 - 698 pages
...are pale, her nose rather long, her mouth nothing particular. Complexion a delicate brick dust, her hair rather like tow. Yet somehow she is beautiful....masculine in size and form. Yet she is a pattern of fawulike grace, whether in movement or repose. Grace pervades the hussy. In character Impulsive, intelligent,... | |
| Dramatists, English - 1887 - 416 pages
...a delicate brick-dust, her hair rather like tow. Yet somehow she is beautiful. Her expression hills any pretty face you see beside her. Her figure is...Whether in movement or repose, grace pervades the hussy. In character impulsive, intelligent, weak, hysterical—in short all that is abominable and charming... | |
| Charlotte Endymion Porter - 1887 - 630 pages
...are pale, her nose rather long, her mouth nothing particular. Complexion a delicate brick dust, her hair rather like tow. Yet somehow she is beautiful. Her expression kills any pretty face you seo beside her. Her figure is lean and bony, her hand masculine in size ami form. Yet she is a pattern... | |
| 1887 - 602 pages
...pale, her nose rather long, her mouth nothing particular. Complexion a delicate brick dust, her bair rather like tow. Yet somehow she is beautiful. Her expression kills any pretty face you we beside her. Her figure is lean and bony, her hand masculine in ^ize and form. Yet she is a pattern... | |
| Theater - 1888 - 704 pages
...are pale, her nose rather long, her mouth nothing particular. Cornp exion a delicate brick dust, her hair rather like tow. Yet somehow she is beautiful Her expression kills any pretty face you see be-1 side her. Her figure is lean and bony, her hand masculine in size and form. Yet she is a pattern... | |
| Theater - 1887 - 848 pages
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| Percy Fitzgerald - Actors - 1893 - 346 pages
...are pale, her nose rather long, her mouth nothing particular, complexion a delicate brick-dust, her hair rather like tow. Yet, somehow, she is beautiful....hand masculine in size and form. Yet she is a pattern The pictures set forth in this wonderful representation linger in the memory. The gloomy Scottish scenes,... | |
| Percy Fitzgerald - Lyceum Theatre - 1895 - 208 pages
...are pale, her nose rather long, her mouth nothing particular, complexion a delicate brick-dust, her hair rather like tow. Yet, somehow, she is beautiful....Whether in movement or repose, grace pervades the hussy. In character impulsive, intelligent, weak, hysterical — in short, all that is abominable and charming... | |
| Charles Hiatt - 1898 - 366 pages
...are pale, her nose rather long, her mouth nothing particular. Complexion a delicate brick-dust, her hair rather like tow. Yet somehow she is beautiful....in movement or repose, grace pervades the hussy." The play in which Ellen Terry made her reappearance was entitled " The Wandering Heir," and was, of... | |
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