5 person. After her death, many things, which were then buried in darkness, would come to light. But she pardoned from her heart all her enemies, nor should her tongue utter that which might turn to their prejudice. Here she was interrupted by Dr. Fletcher, Dean of Peterborough, who, having caught her eye, began to preach, and under that cover, perhaps through motives of zeal, contrived to insult the feelings of the unfortunate sufferer. Mary repeatedly desired him not to trouble himself and 10 her. He persisted; she turned aside. He made the circuit of the scaffold, and again addressed her in front. An end was put to this extraordinary scene by the Earl of Shrewsbury, who ordered him to pray. His prayer was the echo of his sermon; but Mary heard 15 him not. She was employed at the time in her devotions, repeating with a loud voice, and in the Latin language, passages from the book of Psalms; and after the dean was reduced to silence, a prayer in French, in which she begged of God to pardon her sins, declared that she forgave her 20 enemies, and protested that she was innocent of ever con senting, in wish or deed, to the death of her English sister. She then prayed in English for Christ's afflicted church, for her son James, and for queen Elizabeth, and in conclusion, holding up the crucifix, exclaimed, "As thy arms, O 25 God, were stretched out upon the cross, so receive me into the arms of thy mercy, and forgive my sins." When her maids, bathed in tears, began to disrobe their mistress, the executioners, fearing the loss of their usual perquisites, hastily interfered. The queen remonstrated, 30 but instantly submitted to their rudeness, observing to the earls, with a smile, that she was not accustomed to employ such grooms, or to undress in the presence of so numerous a company. Her servants, at the sight of their sovereign in this la35 mentable state, could not suppress their feelings; but Mary, putting her finger to her lips, commanded silence, gave them her blessing, and solicited their prayers. She then seated herself again. Kennedy, taking from her a handkerchief edged with gold, pinned it over her eyes; the executioners, holding her by the arms, led her to the block; 5 and the queen, kneeling down, said repeatedly, with a firm voice, "Into thy hands, O Lord, I commend my spirit." But the sobs and groans of the spectators disconcerted the headsman. He trembled, missed his aim, and inflicted a deep wound in the lower part of the skull. The queen 10 remained motionless; and at the third stroke her head was severed from her body: When the executioner held it up, the muscles of the face were so strongly convulsed, that the features could not be recognized. He cried as usual, "God save queen Elizabeth." 15 "So perish all her enemies! subjoined the Dean of Peterborough. "So perish all the enemies of the gospel!" exclaimed, in a still louder tone, the fanatical Earl of Kent. Not a voice was heard to cry amen. absorbed in admiration and pity. Party feeling was [JOHN WILSON was born May 19, 1785, at Paisley, in Scotland, and died April 3, 1854. In 1812 he published a poem called the "Isle of Palms," which won high, though not wide, admiration, for its tenderness of feeling and beauty of sentiment. In 1816 there appeared from his pen a volume containing "The City of the Plague," a dramatic poem, and several miscellaneous pieces in verse. In 1820 he was appointed professor of moral philosophy in the University of Edinburgh, succeeding Dr. Thomas Brown. In 1822 he published, anonymously, a volume called "The Lights and Shadows of Scottish Life," containing several stories and sketches illustrating the traits and manners of the rural population of Scotland. A novel in the same style, called "Margaret Lyndsay," was published by him in 1823. But his ablest and most characteristic productions are those which he wrote from time to time for "Blackwood's (Edinburgh) Magazine." His intellectual powers were accompanied and enforced by the finest physical gifts. His form was cast in the noblest mould of manly beauty. He was a keen sportsman, and excelled in all athletic exercises. In his youth and early manhood, there was a dash of wildness and eccentricity about him, which increased the interest inspired by his brilliant genius. In the collected edition of his works, published in twelve volumes, since his death, his contributions to" Blackwood's Magazine" occupy ten of the volumes, under the titles of "Noctes Ambrosianæ," in four volumes," Essays, Critical and Imaginative," in four volumes, and the "Recreations of Christopher North," in two volumes. In these productions the genius of Wilson appears in its full strength-rich, exuberant, boundless, and overflowing. Wit the most dashing and reckless, poetry the most lavish, the most glowing eloquence, the finest descriptive power, the most genuine pathos and tenderness, combine to throw their attractions over his pages. His thoughts, images, and illustrations stream forth with the power and rapidity of a mountain torrent. He is remarkable especially for descriptive genius and critical skill. The characteristic features of Scottish scenery have never been delineated in verse with more true poetical feeling and quick sensibility than in the prose of Wilson. He is not a poet of the first class, but as a critic of poetry he has no superior. His principles of poetical criticism are philosophically correct; and they are applied under the guidance of the finest appreciative faculty. The following extract is from "The Isle of Palms."] HER giant form O'er wrathful surge, through blackening storm, Mid the deep darkness, white as snow! 10 Hush! hush! thou vain dreamer! this hour is her last Five hundred souls in one instant of dread Are hurried o'er the deck; And fast the miserable ship Becomes a lifeless wreck. 15 Her keel hath struck on a hidden rock, Her planks are torn asunder, And down come her masts with a reeling shock, And a hideous crash like thunder. Her sails are draggled in the brine, 20 That gladdened late the skies, And her pendant that kissed the fair moonshine 5 Her beauteous sides, whose rainbow hues And flung a warm and sunny flush To the coral rocks are hurrying down, To sleep amid colors as bright as their own. An hour before her death; And sights of home with sighs disturbed The hum of the spreading sycamore 15 That grows before his cottage door, And the swallow's song in the eaves. 20 And his wife—by turns she wept and smiled, As she looked on the father of her child Returned to her heart at last. He wakes at the vessel's sudden roll, 35 No image meets my wandering eye, But the new-risen sun and the sunny sky. Though the night-shades are gone, yet a vapor dull Bedims the waves so beautiful ; While a low and melancholy moan Mourns for the glory that hath flown. 1 ADIEU to thee, fair Rhine! how long, delighted, Or lonely Contemplation thus might stray; Where Nature, nor too sombre, nor too gay, 2 Adieu to thee again! a vain adieu ! 3 There can be no farewell to scenes like thine; Their cherished gaze upon thee, lovely Rhine, The brilliant, fair, and soft, the glories of old days. But these recede. Above me are the Alps, The palaces of Nature, whose vast walls Of cold sublimity, where forms and falls All that expands the spirit, yet appals, |