Wordsworth and the Poetry of Encounter |
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Page 78
... wanted to see working harmoniously together . There exists within the organism a thoroughly satisfying organization of the inner and outer worlds of the poet , insofar as those are at all separable for examination . Both worlds appear ...
... wanted to see working harmoniously together . There exists within the organism a thoroughly satisfying organization of the inner and outer worlds of the poet , insofar as those are at all separable for examination . Both worlds appear ...
Page 105
... wanted to make of the thorn an object permanently as impressive as it had been to him at an especially striking mo- ment . Yet the thorn turns out to be an emblem rather than a symbol , and Martha Ray turns out to be nothing much more ...
... wanted to make of the thorn an object permanently as impressive as it had been to him at an especially striking mo- ment . Yet the thorn turns out to be an emblem rather than a symbol , and Martha Ray turns out to be nothing much more ...
Page 174
... wanted him to go , toward the fullest comprehension of all that was out there and beyond . Its opacity was inaccessible to re- course . If there were areas he could not enter into , the fault was , surely , due in part to inadequacies ...
... wanted him to go , toward the fullest comprehension of all that was out there and beyond . Its opacity was inaccessible to re- course . If there were areas he could not enter into , the fault was , surely , due in part to inadequacies ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |