Wordsworth and the Poetry of Encounter |
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Page 53
... voice , a voice which is all that a poem gives about a central object in it . No body is ever seen in the poem , though it may be mentioned ; there is only the sound of the voice . The voice need not be singing , although in most ...
... voice , a voice which is all that a poem gives about a central object in it . No body is ever seen in the poem , though it may be mentioned ; there is only the sound of the voice . The voice need not be singing , although in most ...
Page 54
... voice emerged . The wren , alone and invisible , changes through its voice what could have been rather ordinary gloom into a condition where the observer feels that the voice makes possible for him a kind of home . Through the voice the ...
... voice emerged . The wren , alone and invisible , changes through its voice what could have been rather ordinary gloom into a condition where the observer feels that the voice makes possible for him a kind of home . Through the voice the ...
Page 60
... voice of Wordsworth's wren sings joyfully to him out of a context which he wants to partake of fully but without ever ceasing to be himself . If the voice of the wren comes to him out of no visible body , there is still no indication ...
... voice of Wordsworth's wren sings joyfully to him out of a context which he wants to partake of fully but without ever ceasing to be himself . If the voice of the wren comes to him out of no visible body , there is still no indication ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |