Wordsworth and the Poetry of Encounter |
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Page 82
... tion of which it is the master and initial point of focus , though the myriad of stars and what they lead his vision to come sub- sequently into the midpoint of the picture . When the veil of clouds is split , the observer sees what is ...
... tion of which it is the master and initial point of focus , though the myriad of stars and what they lead his vision to come sub- sequently into the midpoint of the picture . When the veil of clouds is split , the observer sees what is ...
Page 101
... tion is as significant as whatever links them : To her fair works did Nature link The human soul that through me ran ; And much it grieved my heart to think What man has made of man . " Human " is there specifically to differentiate his ...
... tion is as significant as whatever links them : To her fair works did Nature link The human soul that through me ran ; And much it grieved my heart to think What man has made of man . " Human " is there specifically to differentiate his ...
Page 131
... tion and related matters . These similarities emerge when we see that , for example , the characters in " A Poet's Epitaph " differ from Peter Bell in one important respect , that is , in apathy , an attitude for which Wordsworth could ...
... tion and related matters . These similarities emerge when we see that , for example , the characters in " A Poet's Epitaph " differ from Peter Bell in one important respect , that is , in apathy , an attitude for which Wordsworth could ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |