Wordsworth and the Poetry of Encounter |
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Page 7
... stanza , and thus it was easier for him to shift inward without any noticeably harsh juncture . The reader focuses mainly on what the observer is musing about rather than on where he is musing from . Then , in the third stanza , some ...
... stanza , and thus it was easier for him to shift inward without any noticeably harsh juncture . The reader focuses mainly on what the observer is musing about rather than on where he is musing from . Then , in the third stanza , some ...
Page 154
... stanza expands a series of details about the earth , drawing quite generally the shape of what could be seen from the cloud . The pattern in this stanza encloses a movement of perception from above to below and , further , shows by the ...
... stanza expands a series of details about the earth , drawing quite generally the shape of what could be seen from the cloud . The pattern in this stanza encloses a movement of perception from above to below and , further , shows by the ...
Page 182
... stanza , the one Wordsworth is primarily comment- ing on in the Preface , draws man , beast , and rock together , al- most superimposing their outlines . What he talks about in his commentary is one kind of imaginative activity that stanza ...
... stanza , the one Wordsworth is primarily comment- ing on in the Preface , draws man , beast , and rock together , al- most superimposing their outlines . What he talks about in his commentary is one kind of imaginative activity that stanza ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
6 other sections not shown
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Common terms and phrases
activity appears assertion awareness bird Bonamy Price cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity Keats kind knowledge landscape limitations lyric on daffodils Lyrical Ballads Mary Moorman meaning meeting ment metaphor mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |