Wordsworth and the Poetry of Encounter |
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Page 7
... stanza , and thus it was easier for him to shift inward without any noticeably harsh juncture . The reader focuses mainly on what the observer is musing about rather than on where he is musing from . Then , in the third stanza , some ...
... stanza , and thus it was easier for him to shift inward without any noticeably harsh juncture . The reader focuses mainly on what the observer is musing about rather than on where he is musing from . Then , in the third stanza , some ...
Page 154
... stanza expands a series of details about the earth , drawing quite generally the shape of what could be seen from the cloud . The pattern in this stanza encloses a movement of perception from above to below and , further , shows by the ...
... stanza expands a series of details about the earth , drawing quite generally the shape of what could be seen from the cloud . The pattern in this stanza encloses a movement of perception from above to below and , further , shows by the ...
Page 182
... stanza , the one Wordsworth is primarily comment- ing on in the Preface , draws man , beast , and rock together , al- most superimposing their outlines . What he talks about in his commentary is one kind of imaginative activity that stanza ...
... stanza , the one Wordsworth is primarily comment- ing on in the Preface , draws man , beast , and rock together , al- most superimposing their outlines . What he talks about in his commentary is one kind of imaginative activity that stanza ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
6 other sections not shown
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |