Wordsworth and the Poetry of Encounter |
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Page 55
... senses , and the sense involved is the one which to Wordsworth is the most spiritualized of all , as the lines following this passage make eminently clear . For Wordsworth as for Keats there was a crucial distinction between the ...
... senses , and the sense involved is the one which to Wordsworth is the most spiritualized of all , as the lines following this passage make eminently clear . For Wordsworth as for Keats there was a crucial distinction between the ...
Page 61
... sense not for the sake of immediacy or through a fascination with the limits of sense , but to get rid of as much of the burden of physi- cality as could be dispensed with and still leave communication possible . If they retain the ...
... sense not for the sake of immediacy or through a fascination with the limits of sense , but to get rid of as much of the burden of physi- cality as could be dispensed with and still leave communication possible . If they retain the ...
Page 71
... sense there is only one sound ; but that sound coming through to Age is all that re- mains of physicality , so that " the finer passages of sense " are now almost unoccupied , and therefore he can go through them to other modes of ...
... sense there is only one sound ; but that sound coming through to Age is all that re- mains of physicality , so that " the finer passages of sense " are now almost unoccupied , and therefore he can go through them to other modes of ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears assertion awareness bird Bonamy Price cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity Keats kind knowledge landscape limitations lyric on daffodils Lyrical Ballads Mary Moorman meaning meeting ment metaphor mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |