Wordsworth and the Poetry of Encounter |
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Page 55
... senses , and the sense involved is the one which to Wordsworth is the most spiritualized of all , as the lines following this passage make eminently clear . For Wordsworth as for Keats there was a crucial distinction between the ...
... senses , and the sense involved is the one which to Wordsworth is the most spiritualized of all , as the lines following this passage make eminently clear . For Wordsworth as for Keats there was a crucial distinction between the ...
Page 61
... sense not for the sake of immediacy or through a fascination with the limits of sense , but to get rid of as much of the burden of physi- cality as could be dispensed with and still leave communication possible . If they retain the ...
... sense not for the sake of immediacy or through a fascination with the limits of sense , but to get rid of as much of the burden of physi- cality as could be dispensed with and still leave communication possible . If they retain the ...
Page 71
... sense there is only one sound ; but that sound coming through to Age is all that re- mains of physicality , so that " the finer passages of sense " are now almost unoccupied , and therefore he can go through them to other modes of ...
... sense there is only one sound ; but that sound coming through to Age is all that re- mains of physicality , so that " the finer passages of sense " are now almost unoccupied , and therefore he can go through them to other modes of ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |