Wordsworth and the Poetry of Encounter |
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Page 30
... seen , or actually not seen , in the poems . Substituting words for things means , for Wordsworth , ignoring the difficult rela- tionship out of which come those words which can tell of things seen and touched . The substitution of ...
... seen , or actually not seen , in the poems . Substituting words for things means , for Wordsworth , ignoring the difficult rela- tionship out of which come those words which can tell of things seen and touched . The substitution of ...
Page 64
... seen as a gradual but persistent drawing out of physicality to a very fine and pure point . From that point one can choose to rest and move back , or one can move to the obverse of that fine point in another point which begins the ex ...
... seen as a gradual but persistent drawing out of physicality to a very fine and pure point . From that point one can choose to rest and move back , or one can move to the obverse of that fine point in another point which begins the ex ...
Page 85
... seen occasionally in Keats and also in Wordsworth , who could never have written " Ode to a Nightingale " but would certainly understand what was going on in it . The physicality may not become other than it is but develop into an even ...
... seen occasionally in Keats and also in Wordsworth , who could never have written " Ode to a Nightingale " but would certainly understand what was going on in it . The physicality may not become other than it is but develop into an even ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears assertion awareness bird Bonamy Price cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity Keats kind knowledge landscape limitations lyric on daffodils Lyrical Ballads Mary Moorman meaning meeting ment metaphor mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |