Wordsworth and the Poetry of Encounter |
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Page 34
... physical world of appearances . If its models re- main imperfect , they can at least be models , things palpable and immediate . This points to where Wordsworth stood , with the greatest of shakiness , in regard to the presentness of ...
... physical world of appearances . If its models re- main imperfect , they can at least be models , things palpable and immediate . This points to where Wordsworth stood , with the greatest of shakiness , in regard to the presentness of ...
Page 65
... physical space around the participants . The material in this passage is calculated to give a wide and detailed breadth of experience that is grounded firmly in the physical world , with the two women part of a context that has a ...
... physical space around the participants . The material in this passage is calculated to give a wide and detailed breadth of experience that is grounded firmly in the physical world , with the two women part of a context that has a ...
Page 69
... physical pres- ence , however minimal , is to affirm her role and situation in earthly continua , a context including the physical as well as the temporal , both dimensions very much of this world . To make the reaper's voice a ...
... physical pres- ence , however minimal , is to affirm her role and situation in earthly continua , a context including the physical as well as the temporal , both dimensions very much of this world . To make the reaper's voice a ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears assertion awareness bird Bonamy Price cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity Keats kind knowledge landscape limitations lyric on daffodils Lyrical Ballads Mary Moorman meaning meeting ment metaphor mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |