Wordsworth and the Poetry of Encounter |
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Page 33
... passage on Coleridge finds further explanation through the necessary pairing of that passage with another , some lines earlier in the same book but close enough so that they have to be examined together . The passages seem to move ...
... passage on Coleridge finds further explanation through the necessary pairing of that passage with another , some lines earlier in the same book but close enough so that they have to be examined together . The passages seem to move ...
Page 65
... passage there are some circumstantial sentences which describe the dif- ferent forms the road took , sentences whose brief , pointed shifts in detailed observation had given a more elaborate texture to the scene than it has in this passage ...
... passage there are some circumstantial sentences which describe the dif- ferent forms the road took , sentences whose brief , pointed shifts in detailed observation had given a more elaborate texture to the scene than it has in this passage ...
Page 181
... passage has moved along the hierarchy of being from the implied source of grace down through the man , but with a swift glance upward or backward to “ the eye of heaven " to show both context and the place from which his vision had ...
... passage has moved along the hierarchy of being from the implied source of grace down through the man , but with a swift glance upward or backward to “ the eye of heaven " to show both context and the place from which his vision had ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |