Wordsworth and the Poetry of Encounter |
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Page 62
... never admitted into the world he faces , he creates a satisfactory situation . He has em- phasized the willed process of his relationship with the voice in order to show how aware the stranger is of what he is and what he can never be ...
... never admitted into the world he faces , he creates a satisfactory situation . He has em- phasized the willed process of his relationship with the voice in order to show how aware the stranger is of what he is and what he can never be ...
Page 133
... never have agreed with what the acceptance im- plied . He did a good deal of watching of the process of ex- periencing , but it was not all that he did . He never got so far as to make the process all ( it seems doubtful whether any ...
... never have agreed with what the acceptance im- plied . He did a good deal of watching of the process of ex- periencing , but it was not all that he did . He never got so far as to make the process all ( it seems doubtful whether any ...
Page 144
... never close to Blake . He could never have accepted Blake's Swedenborgian vision of the universe as perceptible in the im- age of one great man , though he might have considered this kind of anthropocentrism as more humane than the ...
... never close to Blake . He could never have accepted Blake's Swedenborgian vision of the universe as perceptible in the im- age of one great man , though he might have considered this kind of anthropocentrism as more humane than the ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |