Wordsworth and the Poetry of Encounter |
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Page 117
... nature cannot , the confrontation seems ready to occur , though in fact the reaction goes another way . The order ... Nature being loaded with phrases that turn savagely ironic when read in the light of its companion piece . Nature is ...
... nature cannot , the confrontation seems ready to occur , though in fact the reaction goes another way . The order ... Nature being loaded with phrases that turn savagely ironic when read in the light of its companion piece . Nature is ...
Page 144
... nature by making it into man or anything like man . If man can never be fully natural and is only occasionally ... nature but brings nature closer to man . It is not , then , an instrument of dehumanization , since it does not sink man ...
... nature by making it into man or anything like man . If man can never be fully natural and is only occasionally ... nature but brings nature closer to man . It is not , then , an instrument of dehumanization , since it does not sink man ...
Page 174
... nature could not do . The mode of en- counter may well have been inevitable , given the qualities of this observer and what there was out there for him to work on , but there was in the mode a built - in insufficiency grounded in the ...
... nature could not do . The mode of en- counter may well have been inevitable , given the qualities of this observer and what there was out there for him to work on , but there was in the mode a built - in insufficiency grounded in the ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |