Wordsworth and the Poetry of Encounter |
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Page 135
... lyric was and how it operated . And apparently only literal Crabb Robinson wanted to question , however timidly , the propriety of applying dra- matic criteria to the romantic expressionist lyric : " We spoke of Wordsworth and Coleridge ...
... lyric was and how it operated . And apparently only literal Crabb Robinson wanted to question , however timidly , the propriety of applying dra- matic criteria to the romantic expressionist lyric : " We spoke of Wordsworth and Coleridge ...
Page 163
... lyric on daffodils there is no sense that he had any struggle in coming to learn what he did ) . When , in the lyric , he does take that step to the center , it is clear that he could have done so only by discovering in the fullness of ...
... lyric on daffodils there is no sense that he had any struggle in coming to learn what he did ) . When , in the lyric , he does take that step to the center , it is clear that he could have done so only by discovering in the fullness of ...
Page 165
... lyric on daffodils , though , the observer eventually recognizes the meaning of what has been offered to him , both meaning and recognition having much to do with what the lyric offers of a multidimensional world . The poems of ...
... lyric on daffodils , though , the observer eventually recognizes the meaning of what has been offered to him , both meaning and recognition having much to do with what the lyric offers of a multidimensional world . The poems of ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |