Wordsworth and the Poetry of Encounter |
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Page 47
... lines of force all along . Those lines - his own move- ment and the movement of the moon - in their simultaneous approach to the target cottage , built up a pressure by their continual focusing and forward movement right up to the mo ...
... lines of force all along . Those lines - his own move- ment and the movement of the moon - in their simultaneous approach to the target cottage , built up a pressure by their continual focusing and forward movement right up to the mo ...
Page 104
... lines : -I've heard of hearts unkind , kind deeds With coldness still returning ; Alas ! the gratitude of men Hath oftener left me mourning . A good deal happens in these lines , including the importation into the whole context not only ...
... lines : -I've heard of hearts unkind , kind deeds With coldness still returning ; Alas ! the gratitude of men Hath oftener left me mourning . A good deal happens in these lines , including the importation into the whole context not only ...
Page 190
... Lines Written in Early Spring , " Wordsworth offers an inchoate version of this multiple sep- aration , but even though he stands apart from other men and , in certain respects , from nature , he knows that he can occasionally tie into ...
... Lines Written in Early Spring , " Wordsworth offers an inchoate version of this multiple sep- aration , but even though he stands apart from other men and , in certain respects , from nature , he knows that he can occasionally tie into ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |