Wordsworth and the Poetry of Encounter |
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Page 45
... kind : As the black storm upon the mountain top Sets off the sunbeam in the valley , so That huge fermenting mass of human - kind Serves as a solemn back - ground , or relief , To single forms and objects , whence they draw , For ...
... kind : As the black storm upon the mountain top Sets off the sunbeam in the valley , so That huge fermenting mass of human - kind Serves as a solemn back - ground , or relief , To single forms and objects , whence they draw , For ...
Page 50
... kind , things more often than people but people too , because he could get closer to understanding when there were no distractions of duplication . Dispersal of intensity ( the intensity which comes necessarily with immediacy ) is a ...
... kind , things more often than people but people too , because he could get closer to understanding when there were no distractions of duplication . Dispersal of intensity ( the intensity which comes necessarily with immediacy ) is a ...
Page 83
... kind of romantic poem is a hymn of triumph , whatever its subject . The triumph was there because a certain kind of experience had occurred and the experience could be or- ganized into a special kind of poem . Under these conditions ...
... kind of romantic poem is a hymn of triumph , whatever its subject . The triumph was there because a certain kind of experience had occurred and the experience could be or- ganized into a special kind of poem . Under these conditions ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |