Wordsworth and the Poetry of Encounter |
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Page 77
... importance of poetry as a way of defining what human experience is like and what it probably means . This importance was not , however , confined to what the poetry said but grew out of fundamental principles in the romantic aesthetics ...
... importance of poetry as a way of defining what human experience is like and what it probably means . This importance was not , however , confined to what the poetry said but grew out of fundamental principles in the romantic aesthetics ...
Page 109
... important , Wordsworth insisting that the beggar should not go into a workhouse because he is too important as an object of charity , giving the people with whom he comes 5 In a continuation of the fragment , the old man tells the ...
... important , Wordsworth insisting that the beggar should not go into a workhouse because he is too important as an object of charity , giving the people with whom he comes 5 In a continuation of the fragment , the old man tells the ...
Page 178
... important in the context , and not the sub- stantial presence of the thing . The result , then , is a poem like The White Doe of Rylstone or - in another category of quality -The Excursion . In one way or another , every major work of ...
... important in the context , and not the sub- stantial presence of the thing . The result , then , is a poem like The White Doe of Rylstone or - in another category of quality -The Excursion . In one way or another , every major work of ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |