Wordsworth and the Poetry of Encounter |
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Page 5
... human figures the experience is less a departure from humanity ( in fact , it may be a move closer to it ) than from irrelevancy , while the observer , in a converse action of expansion , opens up a great deal of himself that may have ...
... human figures the experience is less a departure from humanity ( in fact , it may be a move closer to it ) than from irrelevancy , while the observer , in a converse action of expansion , opens up a great deal of himself that may have ...
Page 99
... human response to the human , universal man re- sponding through sympathy and identification to the pained world of other men . In its way it is an eighteenth - century sentimentalist parody of Aristotelian catharsis . Its closest ana ...
... human response to the human , universal man re- sponding through sympathy and identification to the pained world of other men . In its way it is an eighteenth - century sentimentalist parody of Aristotelian catharsis . Its closest ana ...
Page 101
... human soul that through me ran ; And much it grieved my heart to think What man has made of man . " Human " is there specifically to differentiate his kind of soul from the other kinds in the continuum . This conception has nothing to ...
... human soul that through me ran ; And much it grieved my heart to think What man has made of man . " Human " is there specifically to differentiate his kind of soul from the other kinds in the continuum . This conception has nothing to ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |