Wordsworth and the Poetry of Encounter |
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Page 10
... Further , there is here , as in “ Tintern Abbey , " a hold onto functions which are still , though just barely , working ; there is no unequivocal re- moval from palpability : -Of that external scene which round me lay , Little , in ...
... Further , there is here , as in “ Tintern Abbey , " a hold onto functions which are still , though just barely , working ; there is no unequivocal re- moval from palpability : -Of that external scene which round me lay , Little , in ...
Page 78
... Further , it would be possible to assert that the possession of a coherent , organic self is another act of devotion and , conversely , that a disjunct self is somehow vile and impious . Variations on this argument about the continuum ...
... Further , it would be possible to assert that the possession of a coherent , organic self is another act of devotion and , conversely , that a disjunct self is somehow vile and impious . Variations on this argument about the continuum ...
Page 88
... further elements attracting him and linking together the aspects of each situation into a larger coherence . The move is obviously toward organization and wholeness . He can sense what is needed , though the fragment never gets there ...
... further elements attracting him and linking together the aspects of each situation into a larger coherence . The move is obviously toward organization and wholeness . He can sense what is needed , though the fragment never gets there ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |