Wordsworth and the Poetry of Encounter |
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Page 49
... experience of the elements that were meeting . The poem is so organized that nothing comes between him and what this experience shows that he can know of the central object : everything serves to focus with absolute clarity the bare but ...
... experience of the elements that were meeting . The poem is so organized that nothing comes between him and what this experience shows that he can know of the central object : everything serves to focus with absolute clarity the bare but ...
Page 83
... experience and the shape of its development emerge in the details of language and form . The poem and the experience are therefore inseparable , not only because the poem contains the experience and nothing else but , further , because ...
... experience and the shape of its development emerge in the details of language and form . The poem and the experience are therefore inseparable , not only because the poem contains the experience and nothing else but , further , because ...
Page 89
... experience . In each of these cases , the false and the true , the immediate and the postponed , the initial movement comes from the focus upon the object , and that object remains at the imaginative core of the whole experience , no ...
... experience . In each of these cases , the false and the true , the immediate and the postponed , the initial movement comes from the focus upon the object , and that object remains at the imaginative core of the whole experience , no ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |