Wordsworth and the Poetry of Encounter |
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Page 14
... encounter . In it the self comes to meet something outside ( some aspect of a person or an object - some thing ) ... encounter , and coming out of it , is the energy which , controlled and channeled , could lead the ex- perience into the ...
... encounter . In it the self comes to meet something outside ( some aspect of a person or an object - some thing ) ... encounter , and coming out of it , is the energy which , controlled and channeled , could lead the ex- perience into the ...
Page 79
... encounters had a built - in harmony of reflecting wholenesses , for the special qualities of the moment affirmed much the same values , indeed had much the same organization , as did the order of the poem . Encounter was another kind of ...
... encounters had a built - in harmony of reflecting wholenesses , for the special qualities of the moment affirmed much the same values , indeed had much the same organization , as did the order of the poem . Encounter was another kind of ...
Page 138
... encounter . Truth for Wordsworth was therefore multiple , often oppressively so . This is not to say that it is relative but , rather , many - faceted and multidimen- sional because the strange and familiar truths about all of the ...
... encounter . Truth for Wordsworth was therefore multiple , often oppressively so . This is not to say that it is relative but , rather , many - faceted and multidimen- sional because the strange and familiar truths about all of the ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |