Wordsworth and the Poetry of Encounter |
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Page 82
... earth ( he is no longer " with unobserving eye / Bent earthwards " ) but also that he and the earth are part of the fullest of totalities that includes both earth and cosmos . In a characteristic gesture , Wordsworth had prepared for ...
... earth ( he is no longer " with unobserving eye / Bent earthwards " ) but also that he and the earth are part of the fullest of totalities that includes both earth and cosmos . In a characteristic gesture , Wordsworth had prepared for ...
Page 154
... earth , the cloud is still so close to it that a mental image can take in , within a single frame , the wandering of this piece of sky over part of the earth . The rest of the first stanza expands a series of details about the earth ...
... earth , the cloud is still so close to it that a mental image can take in , within a single frame , the wandering of this piece of sky over part of the earth . The rest of the first stanza expands a series of details about the earth ...
Page 160
... earth and sky , the image of dancing clearly draws its full import only when he sees earth and sky as joined together to form a single context . If the dance seems tailor - made for Wordsworth's purposes , offering the effect he needed ...
... earth and sky , the image of dancing clearly draws its full import only when he sees earth and sky as joined together to form a single context . If the dance seems tailor - made for Wordsworth's purposes , offering the effect he needed ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears assertion awareness bird Bonamy Price cloud coherence Coleridge comes complete consciousness context continuum cosmos cuckoo dance dimensions disembodied voice Dorothy Wordsworth earth elements encounter Ernest de Selincourt Excursion experience feel girl happened Henry Crabb Robinson hierarchy hierogamy Hölderlin human imagery imaginative immediacy impulse intensity Keats kind knowledge landscape limitations lyric on daffodils Lyrical Ballads Mary Moorman meaning meeting ment metaphor mode move movement nature ness never Night-Piece object observer observer's offers Old Cumberland Beggar passage pattern perception physical poet poetry possible Prelude presence qualities relationship Resolution and Independence romantic Samuel Taylor Coleridge scene seems seen sense sentimental morality shape share Shelley shows single situation solipsism Solitary Reaper song soul stands stanza Stepping Westward strange stranger synecdoche things Tintern Abbey tion truth universe vision whole William Wordsworth Words Wordsworth Wordsworthian worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |