Wordsworth and the Poetry of Encounter |
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Page 18
... direction : Adieu ! adieu ! thy plaintive anthem fades Past the near meadows , over the still stream , Up the hill - side ; and now ' tis buried deep In the next valley - glades . The drama of the encounter , its inevitable frustrations ...
... direction : Adieu ! adieu ! thy plaintive anthem fades Past the near meadows , over the still stream , Up the hill - side ; and now ' tis buried deep In the next valley - glades . The drama of the encounter , its inevitable frustrations ...
Page 67
... direction that leads away from many of the more interesting facts about the poem . There is , for example , the odd chiaroscuro of the landscape , which makes it look as though the travelers were creating darkness behind them as they ...
... direction that leads away from many of the more interesting facts about the poem . There is , for example , the odd chiaroscuro of the landscape , which makes it look as though the travelers were creating darkness behind them as they ...
Page 101
... direction of energy , para- dimensional because it is not only horizontal ( within the things of this world ) but also universal and a property of all things everywhere . Nothing escapes it , all things exist because of it . It would ...
... direction of energy , para- dimensional because it is not only horizontal ( within the things of this world ) but also universal and a property of all things everywhere . Nothing escapes it , all things exist because of it . It would ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |