Wordsworth and the Poetry of Encounter |
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Page 111
... context which , in these poems , gives to the figures much of their specific meaning both as individuals and as instances of universal man . Wordsworth has no need to force the elevation of his main character in these poems : the context ...
... context which , in these poems , gives to the figures much of their specific meaning both as individuals and as instances of universal man . Wordsworth has no need to force the elevation of his main character in these poems : the context ...
Page 168
... context of each object manages to touch , at every available point ( which means all points immediately there ) , the context of all the others . The creatures are , after all , impinging on each other's context while each is in his own ...
... context of each object manages to touch , at every available point ( which means all points immediately there ) , the context of all the others . The creatures are , after all , impinging on each other's context while each is in his own ...
Page 178
... context in which objects seem , inevitably , to take on a subsidiary role . In these cases , objects would tend to be drawn on primarily for what they can reveal about the relationships among the distant parts of the framework . When ...
... context in which objects seem , inevitably , to take on a subsidiary role . In these cases , objects would tend to be drawn on primarily for what they can reveal about the relationships among the distant parts of the framework . When ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |