Wordsworth and the Poetry of Encounter |
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Page 92
... comes to be the seed of what can be said about what happened in the experience . Thus , the reawakening of the ob- ject out of its curiously embryonic state comes with the first renewal of the original sensuous impulse , and this can ...
... comes to be the seed of what can be said about what happened in the experience . Thus , the reawakening of the ob- ject out of its curiously embryonic state comes with the first renewal of the original sensuous impulse , and this can ...
Page 109
... comes from spiritual paralysis , but at the end of that poem and in the fragment it comes from “ set- tled quiet , " something very different indeed . After the first sixty - six lines of " The Old Cumberland Beggar , ” which are ...
... comes from spiritual paralysis , but at the end of that poem and in the fragment it comes from “ set- tled quiet , " something very different indeed . After the first sixty - six lines of " The Old Cumberland Beggar , ” which are ...
Page 166
... comes back to him . That , obviously , was a lesson sufficient for what this stranger needed to know . Yet out of the relationship between the early and later ex- periences emerges a further , probably final perspective on all these ...
... comes back to him . That , obviously , was a lesson sufficient for what this stranger needed to know . Yet out of the relationship between the early and later ex- periences emerges a further , probably final perspective on all these ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |