Wordsworth and the Poetry of Encounter |
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Page 77
... coherent and felicitous wholeness . Here is a primary , specific , and eminently observable version of what the ... coherence in the object one creates . Thus , if the created object and the creative self are not to be identified ...
... coherent and felicitous wholeness . Here is a primary , specific , and eminently observable version of what the ... coherence in the object one creates . Thus , if the created object and the creative self are not to be identified ...
Page 78
... coherent , organic self is another act of devotion and , conversely , that a disjunct self is somehow vile and impious . Variations on this argument about the continuum of microcosms ran all through romanticism , but it would be quite ...
... coherent , organic self is another act of devotion and , conversely , that a disjunct self is somehow vile and impious . Variations on this argument about the continuum of microcosms ran all through romanticism , but it would be quite ...
Page 108
... coherence . Wordsworth does scatter throughout it a series of instances showing the effect of the beggar on what we might call his constituents . But this hint at a more coherent understanding remains only a gesture , sug- gesting what ...
... coherence . Wordsworth does scatter throughout it a series of instances showing the effect of the beggar on what we might call his constituents . But this hint at a more coherent understanding remains only a gesture , sug- gesting what ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |