Wordsworth and the Poetry of Encounter |
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Page 24
... clear that everyone else was too busy and happy to notice . The " timely utterance , " therefore , was only for him ... clearly not the farewell to 10 Cf. The Prelude , XII , 31-37 : The morning shines , Nor heedeth Man's perverseness ...
... clear that everyone else was too busy and happy to notice . The " timely utterance , " therefore , was only for him ... clearly not the farewell to 10 Cf. The Prelude , XII , 31-37 : The morning shines , Nor heedeth Man's perverseness ...
Page 59
... clear recognition of the various realms and their distinctness , with barriers of varying density ( veils and glassy domes ) as persistent impediments everywhere . Yet the voice of a woman singing in " To Jane : ' The Keen Stars Were ...
... clear recognition of the various realms and their distinctness , with barriers of varying density ( veils and glassy domes ) as persistent impediments everywhere . Yet the voice of a woman singing in " To Jane : ' The Keen Stars Were ...
Page 165
... clear that , for Wordsworth , a vision of the multiplicity of interlocked dimensions has a positive result , one that brings awe and joy along with a sense of omnipresent wholenesses . Both the " Im- mortality " ode and " The Two April ...
... clear that , for Wordsworth , a vision of the multiplicity of interlocked dimensions has a positive result , one that brings awe and joy along with a sense of omnipresent wholenesses . Both the " Im- mortality " ode and " The Two April ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |