Wordsworth and the Poetry of Encounter |
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Page 61
... beginning and the shape of the process . He proclaims that he has chosen deliberately to think of the bird in this apparently limited fashion , not in all the glorious fullness of its total being but only as a voice . The second step in ...
... beginning and the shape of the process . He proclaims that he has chosen deliberately to think of the bird in this apparently limited fashion , not in all the glorious fullness of its total being but only as a voice . The second step in ...
Page 84
... beginning of " A Night - Piece , " where the unpleasing though not offensive dull- ness in the sky is contrasted to what could happen at those obviously more desirable moments when the light breaks through . Further , in this poem and ...
... beginning of " A Night - Piece , " where the unpleasing though not offensive dull- ness in the sky is contrasted to what could happen at those obviously more desirable moments when the light breaks through . Further , in this poem and ...
Page 85
... beginning seems just on the verge of dis- appearing or being transformed into something else , a movement seen occasionally in Keats and also in Wordsworth , who could never have written " Ode to a Nightingale " but would certainly ...
... beginning seems just on the verge of dis- appearing or being transformed into something else , a movement seen occasionally in Keats and also in Wordsworth , who could never have written " Ode to a Nightingale " but would certainly ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |