Wordsworth and the Poetry of Encounter |
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Page 32
... appears in the poem are the facts of the object in encounter . The object , therefore , because it is what it is , has a large share in defining the shape of the activity in which it is one of the acting participants . Everything that ...
... appears in the poem are the facts of the object in encounter . The object , therefore , because it is what it is , has a large share in defining the shape of the activity in which it is one of the acting participants . Everything that ...
Page 37
... appear in the poem , is not even all of the truth of the object in encounter , but it has to be known . However ambiguous ... appears in a context . We have seen that a dislocated object is one to which Wordsworth could ascribe no life ...
... appear in the poem , is not even all of the truth of the object in encounter , but it has to be known . However ambiguous ... appears in a context . We have seen that a dislocated object is one to which Wordsworth could ascribe no life ...
Page 169
... appear to have been more sudden in their onslaught and less persistent than what Coleridge does here . But there is no ... appears to come from another world pushes out the reach of context in a further and definitely sur- prising way ...
... appear to have been more sudden in their onslaught and less persistent than what Coleridge does here . But there is no ... appears to come from another world pushes out the reach of context in a further and definitely sur- prising way ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |