Wordsworth and the Poetry of Encounter |
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Page 32
... activity in which it is one of the acting participants . Everything that the activity meant to the observer and everything that took place in it should in some way be present and discoverable in the qualities of the object as it appears ...
... activity in which it is one of the acting participants . Everything that the activity meant to the observer and everything that took place in it should in some way be present and discoverable in the qualities of the object as it appears ...
Page 38
... activity going on at so many levels could make for incoherence when there is no control given by a central object or ... activities in which the object takes part . For example , in the episode in Book Four of The Prelude ( 1805 ) where ...
... activity going on at so many levels could make for incoherence when there is no control given by a central object or ... activities in which the object takes part . For example , in the episode in Book Four of The Prelude ( 1805 ) where ...
Page 81
... activity of the experience . There is , therefore , no change shown within the observer that could parallel the change that occurs outside of him . In those two kinds of change , in the parallels between them and espe- cially the ...
... activity of the experience . There is , therefore , no change shown within the observer that could parallel the change that occurs outside of him . In those two kinds of change , in the parallels between them and espe- cially the ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |