Wordsworth and the Poetry of Encounter |
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Page 58
... Keats and Shelley have only an apparent similarity to the kind of material with which Wordsworth usually worked . Shelley's skylark and Keats's nightingale are , like Wordsworth's wren or his cuckoo , images of joy . The difference ...
... Keats and Shelley have only an apparent similarity to the kind of material with which Wordsworth usually worked . Shelley's skylark and Keats's nightingale are , like Wordsworth's wren or his cuckoo , images of joy . The difference ...
Page 59
... Keats's " Ode to a Nightin- gale . " Shelley takes over fully the image of a disembodied voice with the " unbodied joy " in " To a Skylark , " where he moves even closer to Keats though he shares a special awareness with Wordsworth . He ...
... Keats's " Ode to a Nightin- gale . " Shelley takes over fully the image of a disembodied voice with the " unbodied joy " in " To a Skylark , " where he moves even closer to Keats though he shares a special awareness with Wordsworth . He ...
Page 134
... Keats to match nothing in Wordsworth , the old bird who would brood and peacock rather than thin the bright colors of self toward some impossible but conceivable trans- lucence . In some of his moods , particularly in the major odes , Keats ...
... Keats to match nothing in Wordsworth , the old bird who would brood and peacock rather than thin the bright colors of self toward some impossible but conceivable trans- lucence . In some of his moods , particularly in the major odes , Keats ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |