Wordsworth and the Poetry of Encounter |
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Page 33
... Coleridge's knowledge of things is false , although he makes the same accusation of verbalism . He argues only that what Coleridge knows is solipsistic because it is parthenogenetic , born of a virgin mind untouched by the grossness of ...
... Coleridge's knowledge of things is false , although he makes the same accusation of verbalism . He argues only that what Coleridge knows is solipsistic because it is parthenogenetic , born of a virgin mind untouched by the grossness of ...
Page 57
... Coleridge's " Reflections on Having Left a Place of Retirement " : he hears an " unearthly minstrelsy , ' what the heart can know of an exalted mode when a song comes through purely . But in this poem Coleridge does nothing with what ...
... Coleridge's " Reflections on Having Left a Place of Retirement " : he hears an " unearthly minstrelsy , ' what the heart can know of an exalted mode when a song comes through purely . But in this poem Coleridge does nothing with what ...
Page 169
... Coleridge elsewhere ) , though his glimpses appear to have been more sudden in their onslaught and less persistent than what Coleridge does here . But there is no question that the joy comes from what Coleridge experiences of wholeness ...
... Coleridge elsewhere ) , though his glimpses appear to have been more sudden in their onslaught and less persistent than what Coleridge does here . But there is no question that the joy comes from what Coleridge experiences of wholeness ...
Contents
Knowledge of Encounter | 3 |
The Presence of Singularity | 28 |
The Farthest Reach of Sense | 49 |
Copyright | |
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Common terms and phrases
activity appears aspects assertion awareness becomes beginning bird bring called clear clearly close coherence Coleridge comes complete context continuity create dance defined difficult dimensions direction early earth effect elements encounter experience fact feel figure finally force further gives happened hold human idea imaginative important indicates intensity involved Keats kind knowledge leads learned least less limitations lines living looked lyric meaning meeting mind mode moment moments moral move movement nature never object observer offers passage pattern perhaps physical poem poet poetry possible Prelude presence Press probably qualities question reach relationship romantic scene seems seen sense separate shape share shows similar single situation Solitary song sound stands stanza Stepping strange things thought truth turn understanding universe usually vision voice wanted whole Wordsworth worth
References to this book
Wordsworth's Historical Imagination: The Poetry of Displacement David Simpson No preview available - 1987 |