Miss Janet Robertson, for the cover, the design for which is based upon a wood-cut in the Ortus Sanitatis of 1491. A book of this kind, in the preparation of which many previous works have been laid under contribution, is doubtless open to a certain criticism which William Turner, "the Father of British Botany," anticipated in the case of his own writings. I think I cannot do better than proffer my excuse in the very words of this sixteenth-century herbalist: "For some of them will saye, seynge that I graunte that I have gathered this booke of so manye writers, that I offer unto you an heape of other mennis laboures, and nothinge of myne owne,... To whom I aunswere, that if the honye that the bees gather out of so manye floure of herbes, shrubbes, and trees, that are growing in other mennis medowes, feldes and closes: maye justelye be called the bees honye:...So maye I call it that I have learned and gathered of manye good autoures...my booke." AGNES ARBER. BALFOUR LABORATORY, CAMBRIDGE, 26th July, 1912. A List, in Alphabetical Order, of the Principal Critical and 241 247 LIST OF ILLUSTRATIONS FRONTISPIECE Leonhard Fuchs (1501-1566) [Engraving by Speckle in De historia stirpium, 1542] PLATES PLATE Face page I. "Sonchos" [Dioscorides. Codex Aniciæ Julianæ. circa A.D. 4 II. "Stratiotes" [Dioscorides. Codex Aniciæ Julianæ. circa 8 III. Wood-cut of Plants [Konrad von Megenberg. Das půch . IV. V. VI. VII. "Orbicularis" [Herbarium Apuleii Platonici. ? 1484]. (The Charles de l'Écluse (1526—1609) [Print in the Botany School, VIII. Mathias de l'Obel (1538-1616) [Engraving by François Konrad Gesner (1516-1565) [Print in the Botany School, John Parkinson (1567-1650) [Theatrum botanicum. 1640] . 114 PLATE XIV. XV. XVI. Andrea Cesalpino (1519-1603) [Drawn by G. Zocchi and Codex Aniciæ Julianæ. circa A.D. 500]. Reduced . "Dracontea" [Herbarium Apuleii Platonici. ? 1484]. (The tint represents colouring, which was probably contemporary) XVII. Study of Aquilegia vulgaris L., Columbine [Albrecht Dürer, 1526. Drawing in the Albertina, Vienna]. Reduced XVIII. Study of Ornithogalum umbellatum L., Star of Bethlehem, and other plants [Leonardo da Vinci. 1452—1519. Drawing in the Royal Library, Windsor]. Reduced. "Crocus Byzantinus" and "Crocus Montanus hispan." [Part of a plate from Crispian de Passe. Hortus Floridus. 1614] . XIX. Face page 116 154 156 168 170 202 XX. "Cervaria fœmina" [Thurneisser. Historia sive Descriptio 216 XXI. Nicholas Culpeper (1616—1654) [A Physicall Directory. 1649. 218 FIGURES IN THE TEXT1 [The initial letters, which will be found at the beginning of each chapter, are taken from Pierre Belon's 'Les Observations de plusieurs singularitez et choses memorables, trouvées en Grece, Asie, Judée, Egypte, Arabie, et autres pays estranges,...Imprimé à Paris par Benoist Prevost.' 1553.] TEXT-FIG. = 1. "Plantago" Plantain [Herbarium Apuleii Platonici, ?1484]. "Artemisia" [Herbarium Apuleii Platonici, ? 1484] · 2. 3. "Lilium" [Herbarius Moguntinus, 1484] 4. "Aristolochia longa" [Herbarius Moguntinus, 1484] 5. "Serpentaria" [Herbarius Moguntinus, 1484] . 6. "Brionia" [Arnaldus de Villa Nova, Tractatus de virtutibus her barum, 1499] 7. "Acorus"= Iris [Herbarius zu Teutsch, Mainz, 1485] 8. "Leopardus" [Ortus Sanitatis, Mainz, 1491] . 9. "Daucus"= Carrot [Ortus Sanitatis, Mainz, 1491] 10. "Passer" Sparrow [Ortus Sanitatis, Mainz, 1491]. = 11. "Pavo" Peacock [Ortus Sanitatis, Mainz, 1491] 12. "Arbor vel lignum vite paradisi" [Ortus Sanitatis, Mainz, 1491] 13. "Narcissus" [Ortus Sanitatis, Mainz, 1491] 14. "Bauser vel Bausor" [Ortus Sanitatis, Mainz, 1491] 17. "Unicornus" [Ortus Sanitatis, Mainz, 1491]. 19. Wood-cut of Plants [Bartholomæus Anglicus, Liber de proprie tatibus rerum, Wynkyn de Worde, ? 1495]. Reduced 20. "Yvery"-Ivory [The Grete Herball, 1529] 21. "Nenufar"=Waterlily [The Grete Herball, 1529] . 22. "Walwurtz männlin"= Symphytum, Comfrey [Brunfels, Herbarum vivæ eicones, Vol. 1. 1530]. Reduced = 23. "Helleborus Niger" - Helleborus viridis L., Green Hellebore [Brunfels, Herbarum vivæ eicones, Vol. 1. 1530]. Reduced . 1 The dates refer, in each case, to the particular edition from which the figures have been copied, which is not always the first. For fuller titles and dates of first editions, see Appendix I. |