Proceedings of the British Academy, Volume 121 |
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Page 260
... poem'.14 Knowing this , he claims , ' real poets know , as they have always known , that poetry cannot work to extra - poetic agendas'.15 So ' form ' remains contentious still , setting the poetic against the ' extra - poetic ' , the ...
... poem'.14 Knowing this , he claims , ' real poets know , as they have always known , that poetry cannot work to extra - poetic agendas'.15 So ' form ' remains contentious still , setting the poetic against the ' extra - poetic ' , the ...
Page 270
... poem's aestheticist sense of its own form takes the pressure of the alternative : of something that lies outside , ' in a sad direction ' . Stevenson , then , like Plath and Bishop , sees form , not just as a matter of technique ...
... poem's aestheticist sense of its own form takes the pressure of the alternative : of something that lies outside , ' in a sad direction ' . Stevenson , then , like Plath and Bishop , sees form , not just as a matter of technique ...
Page 271
... poem sings about what it sings about . The tautology of ' sing of itself ' , like Plath's ' the way words should be said ' , lets the poem round back into say- ing almost nothing . ' Tautology ' , writes Barthes , ' is a faint at the ...
... poem sings about what it sings about . The tautology of ' sing of itself ' , like Plath's ' the way words should be said ' , lets the poem round back into say- ing almost nothing . ' Tautology ' , writes Barthes , ' is a faint at the ...
Contents
The Origins of the Civilisation of Angkor | 41 |
Yorkshire Writers | 91 |
Shakespeare and the Anagram | 111 |
Copyright | |
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