Proceedings of the British Academy, Volume 121 |
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Page 137
in their 1609 text ) , makes effects of this kind the central contention and solicitation of her book , The Art of Shakespeare's Sonnets . 51 Keats wrote to Reynolds , 22 November 1817 : 52 One of the three Books I have with me is ...
in their 1609 text ) , makes effects of this kind the central contention and solicitation of her book , The Art of Shakespeare's Sonnets . 51 Keats wrote to Reynolds , 22 November 1817 : 52 One of the three Books I have with me is ...
Page 205
Burns describes his poetry as ' some kind of counterpoise to the struggles of a world ' : an oppositional force . In this neglected phrase , Burns anticipates the argument of Seamus Heaney's The Redress of Poetry : that poetry is an ...
Burns describes his poetry as ' some kind of counterpoise to the struggles of a world ' : an oppositional force . In this neglected phrase , Burns anticipates the argument of Seamus Heaney's The Redress of Poetry : that poetry is an ...
Page 257
And indeed there is a kind of death in the poem . But ' a formal feeling ' outlives that death , to become the monumental feeling form of the second line : ' Nerves sit ceremonious , like Tombs ' . Like much Victorian women's poetry ...
And indeed there is a kind of death in the poem . But ' a formal feeling ' outlives that death , to become the monumental feeling form of the second line : ' Nerves sit ceremonious , like Tombs ' . Like much Victorian women's poetry ...
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Contents
The Origins of the Civilisation of Angkor | 41 |
Yorkshire Writers | 91 |
Shakespeare and the Anagram | 111 |
Copyright | |
8 other sections not shown
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Bibliographic information
| Title | Proceedings of the British Academy, Volume 121 Proceedings of the British Academy, British Academy, ISSN 0068-1202 |
| Author | British Academy |
| Publisher | British Academy |
| Original from | University of California, Berkeley |
| Digitized | 3 Oct 2018 |
| ISBN | 0197263038, 9780197263037 |
| Length | 314 pages |
| Export Citation | BiBTeX EndNote RefMan |