Proceedings of the British Academy, Volume 121 |
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Page 204
... Bard was important , because for him the familiar and alien were comprised in himself as subject , not located in the objects of his gaze . Burns adopted the persona of the Bard not as a ventriloquist , like Gray in ' The Bard ' ( 1757 ) ...
... Bard was important , because for him the familiar and alien were comprised in himself as subject , not located in the objects of his gaze . Burns adopted the persona of the Bard not as a ventriloquist , like Gray in ' The Bard ' ( 1757 ) ...
Page 205
... Bard is laid to rest in ' The Bard's Epitaph ' ( Kinsley 104 ) , which closes the Kilmarnock edition by advising its readers to practise ' prudent , cautious , self - controul ' , the ' wild ' and ' artless notes ' of the ' Scottish Bard ...
... Bard is laid to rest in ' The Bard's Epitaph ' ( Kinsley 104 ) , which closes the Kilmarnock edition by advising its readers to practise ' prudent , cautious , self - controul ' , the ' wild ' and ' artless notes ' of the ' Scottish Bard ...
Page 207
... bard eschews the domestic voice in this window on Thrums : he stands outside the kailyard , with the only other bard mentioned , the ' royal Bard ' of 1. 121 , King David . The status of the ' lyre ' in the hands of David and other ...
... bard eschews the domestic voice in this window on Thrums : he stands outside the kailyard , with the only other bard mentioned , the ' royal Bard ' of 1. 121 , King David . The status of the ' lyre ' in the hands of David and other ...
Contents
The Origins of the Civilisation of Angkor | 41 |
Yorkshire Writers | 91 |
Shakespeare and the Anagram | 111 |
Copyright | |
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