Proceedings of the British Academy, Volume 121 |
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Page 198
... ( Kinsley 70 ) , ' The Ordination ' ( Kinsley 85 ) and ' Letter to James Tennant , Glenconner ' ( Kinsley 90 ) .24 Burns's intellectual roots in the age of sensibility have long been noted by thoughtful critics . Burns entered the ...
... ( Kinsley 70 ) , ' The Ordination ' ( Kinsley 85 ) and ' Letter to James Tennant , Glenconner ' ( Kinsley 90 ) .24 Burns's intellectual roots in the age of sensibility have long been noted by thoughtful critics . Burns entered the ...
Page 199
... ( Kinsley 76 ) , written in 1784–5 , Burns , as Fiona Stafford observes , chooses an epigraph from Milton ( ' O Prince , O chief of many throned pow'rs , / That led the embattl'd Seraphim to war- ' ) as a ploy from classical rhetoric ' to ...
... ( Kinsley 76 ) , written in 1784–5 , Burns , as Fiona Stafford observes , chooses an epigraph from Milton ( ' O Prince , O chief of many throned pow'rs , / That led the embattl'd Seraphim to war- ' ) as a ploy from classical rhetoric ' to ...
Page 206
... ( Kinsley 104 ) which concludes the Kilmarnock edition , not only foreshadows Wordsworth's ' Poet's Epitaph ' but also looks back to Theocritus , invoked in the Kilmarnock Preface's artful journey across the different kinds of language ...
... ( Kinsley 104 ) which concludes the Kilmarnock edition , not only foreshadows Wordsworth's ' Poet's Epitaph ' but also looks back to Theocritus , invoked in the Kilmarnock Preface's artful journey across the different kinds of language ...
Contents
The Origins of the Civilisation of Angkor | 41 |
Yorkshire Writers | 91 |
Shakespeare and the Anagram | 111 |
Copyright | |
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