Proceedings of the British Academy, Volume 121 |
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Page 4
2 care I 3 10 12 9 5 13 VI a 14 The 7 D 8 15 16 17 18 19 Figure 2. ... 2. drawings after photos in Sun and Han 1997 : 76 , figures 1,3 ; 3–19 . after Debaine - Francfort 1995 : 86 , figure 49 ; 104 , figure 61 ; 119 , figure 71 ) .
2 care I 3 10 12 9 5 13 VI a 14 The 7 D 8 15 16 17 18 19 Figure 2. ... 2. drawings after photos in Sun and Han 1997 : 76 , figures 1,3 ; 3–19 . after Debaine - Francfort 1995 : 86 , figure 49 ; 104 , figure 61 ; 119 , figure 71 ) .
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002 2 OMOA ON 8 7 DO 10 11 12 13 Figure 10. ... frontier of China : 1–7 , 10 , 11. from the sites of the Lower Xiajiadian culture ; 8,9 , 12 , 13. from the Zhukaigou site ( Periods III and IV ) ( after Bai 2002 : 30-1 , figures 4–5 ) .
002 2 OMOA ON 8 7 DO 10 11 12 13 Figure 10. ... frontier of China : 1–7 , 10 , 11. from the sites of the Lower Xiajiadian culture ; 8,9 , 12 , 13. from the Zhukaigou site ( Periods III and IV ) ( after Bai 2002 : 30-1 , figures 4–5 ) .
Page 270
But both texts also set that figure against some ' extra - poetic ' explanation , which it also nonetheless invokes . In James's story , the detective critic hunts for clues to the meaning of art . “ “ I see — it's some idea about life ...
But both texts also set that figure against some ' extra - poetic ' explanation , which it also nonetheless invokes . In James's story , the detective critic hunts for clues to the meaning of art . “ “ I see — it's some idea about life ...
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Contents
The Origins of the Civilisation of Angkor | 41 |
Yorkshire Writers | 91 |
Shakespeare and the Anagram | 111 |
Copyright | |
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