Literary Criticism; an Introductory ReaderLionel Trilling |
From inside the book
Results 1-3 of 81
Page 10
... tion to serve the purposes of the poet , to learn to read him , divesting himself of the prejudices and predispositions that stand in the way of comprehension . The poet becomes a law unto himself which he hands down to the audience and ...
... tion to serve the purposes of the poet , to learn to read him , divesting himself of the prejudices and predispositions that stand in the way of comprehension . The poet becomes a law unto himself which he hands down to the audience and ...
Page 87
... tion . And that part is divided into two parts : in the first he makes petition in his invocation ; in the second he suasively urges upon Apollo the petition he has made , announcing a kind of remuneration . And the second part begins ...
... tion . And that part is divided into two parts : in the first he makes petition in his invocation ; in the second he suasively urges upon Apollo the petition he has made , announcing a kind of remuneration . And the second part begins ...
Page 435
... tion - in short , if " expression " always meant aesthetic achievement . But this is not so . " Aesthetic " art , says Professor Curt Ducasse , an ingenious theorist of expression , is the conscious objectification of feelings , in ...
... tion - in short , if " expression " always meant aesthetic achievement . But this is not so . " Aesthetic " art , says Professor Curt Ducasse , an ingenious theorist of expression , is the conscious objectification of feelings , in ...
Other editions - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metaphor mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing